Murder at Teesri Manzil 302 is a painful watch, complains Namrata Thakker.
Deva saw low collections at the box office over the weekend.
Akshay Kumar looks cool in that trippy get-up and adds his charisma to the film that is otherwise a lot of verbiage, observes Deepa Gahlot.
Kohrra is a terrific ensemble piece but the two fine leads keep show glued together, applauds Aseem Chhabra.
Charlie Chopra and the Mystery of Solang Valley is fun in parts, discovers Deepa Gahlot.
Sudhir Mishra's espionage-thriller Tanaav is a decent one-time watch, observes Namrata Thakker. Tanaav Review
Before Kuttey's release, co-produced and co-penned by VB, Sukanya Verma takes a look back at the filmmaker's unique body of work.
Hundreds of films have created magical adventures through road trips, Atithi Bhooto Bhava is just dreary, observes Deepa Gahlot.
Music School tries hard to make a case -- like 3 Idiots and Taare Zameen Par before -- to let children follow their artistic passions and not try to fit them into pre-set moulds, to which people might nod their heads in agreement before packing their children off to coaching class, notes Deepa Gahlot.
One of the great criers of her generation, Kiara's pain pierces through the screen and makes a heartfelt picture of how she feels even when the script cannot see her, observes Sukanya Verma.
Pitchers Season 2 is intense but an engaging watch, observes Namrata Thakker.
Afwaah is a sum of Sudhir Mishra's thought-provoking reflections and appeal to question what's real, what's rumour, notes Sukanya Verma.
The jury is still out on Chhatriwali's flimsy public service, but Rakul sure passes the quality check, applauds Sukanya Verma.
There are plenty of shootouts and a fair amount of sex over the nine brisk episodes though the dialogue is thankfully free of profanity, observes Deepa Gahlot.
The Song Of Scorpions is a reminder, if one were needed, that Irrfan was not just a star actor but a true artiste, observes Deepa Gahlot.
Lakadbaggha takes up too many issues and does not do justice to them, points out Deepa Gahlot.
If you're a Vidyut Jammwal fan, then check out Sanak, else his latest outing fails to impress in every department except for action, observes Namrata Thakker.
Guardians of the Galaxy Volume 3 makes you laugh, cheer, whistle and weep along with your favourite superheroes, applauds Mayur Sanap.
Kunal Kemmu's default mode performing comedy is overacting. When surrounded by much more competent theatre-trained actors, he falls consistently short. (In the past, this role would have been tailor-made for Govinda), observes Deepa Gahlot.
London Files is an engaging thriller with a fine performance from Arjun Rampal, observes Namrata Thakker.
Hunter Tootega Nahi, Todega is bizarre, unintentionally funny, discovers Deepa Gahlot.
Things get murkier and moronic in this staggeringly dumb, dull thriller, feels Sukanya Verma.
Hungama 2's three-point torture is simple -- confound, frustrate and prolong, feels Sukanya Verma.
The real scene stealer of Ajay-Tabu's Fury Road is Deepak 'Deadly' Dobriyal, applauds Sukanya Verma.
Code Name: Tiranga makes Deepa Gahlot feel nostalgic for Naam Shabana and forgive Dhaakad.
Bhediya is an easy, entertaining watch, raves Sukanya Verma.
This tangled tale of good versus evil could have been far more intriguing, observes Mayur Sanap.
Tadap makes sure that it reaches out to the youth, observes Joginder Tuteja.
Mister Mummy is neither a comedy nor an emotional drama, observes Deepa Gahlot.
Kangana Ranaut ticks off all the boxes of the poker-faced spy model in Dhakaad, observes Sukanya Verma, but the the movie needs real rescuing.
An entertaining spy thriller with world politics bunged in: Utkarsh Mishra endorses Jack Ryan, Season 3.
Animal's violence isn't for the fainted-hearted unless you have an appetite for Korean style mayhem, like Sukanya Verma.
Shoorveer revolves around the done-to-death India-Pakistan rivalry, which is no longer engaging, observes Namrata Thakker.
Pratik Gandhi once again proves that he is an actor who can bring any character to life with his dedication to his craft and instinctive understanding of what the role requires, observes Deepa Gahlot.
Killer Soup's plots grow too convoluted and the strain of keeping the momentum going shows when its shrewd and surreal visuals lose steam, observes Sukanya Verma.
In terms of plot, Season 4 matches Season 1. It is grim, fast-paced and engaging, recommends Deepa Gahlot.
The hour-long episodes lurch from adrenaline-pumping to yawn-inducing, observes Deepa Gahlot.
Season two once again goes for dramatic overkill despite the spine-chilling gravity of the true events it is based on, observes Mayur Sanap.
DC is keen on rebooting its superhero universe, and by all means, The Flash is a decent step in that direction, notes Mayur Sanap.
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